Paisagem e a interpretação do real : a montagem e a imagem política do cotidiano

Abstract

This paper discusses the landscape category by geographic perspective and the relationship of the term to the dimension of the images. It is known that the development of the notion of landscape is closely related to the universe of images, especially with the advent of gender in Renaissance landscape painting of the seventeenth century and the whole theoretical framework that has been generated around, literature and science. However, an important issue refers to the content that makes the landscape with high technology globalization that transformed the territories and the media thus affecting the landscape concept in modern society. Pointed out that the development of the means and processes of production and distribution of images put the notion of landscape to another level of understanding and within the geographical science was no different. The goal of our work is to argue what are the elements arranged in this new relationship between landscape and image. An important point is understanding the landscape category as a shell of material dimensions and subjective, understanding the landscape formed by the concrete elements of the production of space and the subjectivized image. In this sense we emphasize the importance of ownership of the techniques of representation as ways to redefine the dominant image that hegemonic groups produce on the scale of the spectacle. As a product of this research was conducted at an experimental video that reflects these issues through the audiovisual language and the assembly method.